A patron at the Edgecliff. There is a stange feeling of furtiveness in trying to draw a subject without disturbing him., or even letting him know you are drawing him. One tries to be inconspicuous...I am reminded of the spy flicks where two spies sit on back to back benches with newspapers to hide their conversation... (I suppose these days they will act like they are talking on their Blackberries).My subjects are picked by how still they sit and how close to finished they are with their orders...nobody told me about this part of art.
No comments:
Post a Comment